The Bijogo classify people not just by physical age, but in combination with personal and communtiy behavior linked to initiation. Different bovine masks and costumes mark certain of the stages of initiation. Dugn'be, "the ox raised in the village" is worn by a physically mature young man. He is still considered to be learning the proper behavior of an adult much like the ox with the leading string through his nose. Typically this mask has a massive wood head with a painted triangle pattern, bottle glass eyes and real horns.
Mask in the form of an ox with two horns extending from the head and face outward and carved eyes, nose and mouth. The head is divided by a white painted triangle at the top, most of the head and face is black and the muzzle area is white with a red mouth. Orange fibers are bundled at the bottom of the back and hang down. Orange fibers are attached around the base of the horns. The proper left horn has a red cord hanging from the tip with objects of fiber and/or shell attached in two places along the cord.
Paul and Ruth Tishman, New York, -- to 1984
General Exhibition, National Museum of African Art, Smithsonian Institution, Washington, D.C., October 7, 2019–ongoing
Artful Animals, National Museum of African Art, Smithsonian Institution, Washington, D.C., July 1, 2009-July 25, 2010
For Spirits and Kings: African Art from the Paul and Ruth Tishman Collection, Metropolitan Museum of Art, New York, 1981
Kreamer, Christine Mullen, Bryna Freyer and Andrea Nicolls. 2007. African Vision: The Walt Disney-Tishman African Art Collection. Washington, D.C.: National Museum of African Art, Smithsonian Institution, p. 112, fig. 41.
Roberts, Allen F. 1995. Animals in African Art. Munich: Prestel; New York: Museum for African Art, p. 113, no. 14.
Vogel, Susan (ed). 1981. For Spirits and Kings: African Art from the Paul and Ruth Tishman Collection. New York: Metropolitan Museum of Art, pp. 56-57, no. 25.
Washington Parent. 2009. Bethesda: Washington Parent (July), p. 20.