Growing up on a farm in Kwazulu-Natal, Wafer became sensitive to the material nature and communicative power of organic forms. The textured surfaces of Wafer's series of eight ovoid sculptures make subtle references to African pottery and body scarification motifs (forms I, II and IV), tiny droplets of blood (form III) and delicate incision marks (form VI). Seen together, these works integrate cultural and organic elements, demonstrating the artist's meditative engagement with the rich, symbolic potential of material form. The unique surfaces of his work also evoke the patterns typically found on Zulu headrests, meat plates and clay pots.
Sculpture with a surface that is a layer of lead strips, folded over the sides to make a continuous, grooved surface.
Body of Evidence-Rotation 1, National Museum of African Art, Smithsonian Institution, Washington, D.C., June 14-October 15, 2006
Insights, National Museum of African Art, Smithsonian Institution, Washington, D.C., February 27 to November 28, 2004
Claiming Art / Reclaiming Space: Post Apartheid Art from South Africa, National Museum of African Art, Smithsonian Institution, Washington, D.C., June 21-September 26, 1999