Science: Select Bibliography
Berrie, B.H. 1997. Prussian Blue. In West Fitzhugh, E. (ed.), Artists' Pigments: A Handbook of Their History and Characteristics, Volume 3. Washington, D.C.: National Gallery of Art, 191-217.
Chojnacki, S. 1973. Ethiopian Paintings. In Raunig, W. (ed.), Religious Art of Ethiopia. Stuttgart, Germany: Institut fur Auslandsbeziehungen, 33-62.
Chojnacki, S. 2000. Ethiopian Icons: Catalogue of the Collection of the Institute of Ethiopian Studies Addis Ababa University. Milan, Italy: Skira Editore S.p.A.
West Fitzhugh, E. 1997. Orpiment and Realgar. In West Fitzhugh, E. (ed.), Artists' Pigments: A Handbook of Their History and Characteristics, Volume 3. Washington, D.C.: National Gallery of Art, 47-80.
Grissom, C.A. Green Earth. In Feller, R. (ed.), Artists' Pigments: A Handbook of Their History and Characteristics, Volume 1. Washington, D.C.: National Gallery of Art, 141-167.
Hartman Samet, W. 1994. The Philosophy of Aesthetic Reintegration: Paintings and Painted Furniture. In Painted Wood: History and Conservation. Ed. V. Dorge et al. Los Angeles, California: Getty Conservation Institute, 412-424.
James, E. 1999. Changes in Place, Changes in Context: the Conservation of an Ethiopian Icon. AIC Postprints, American Institute for the Conservation of Historic and Artistic Works 27th Annual Meeting, St. Louis, MO: AIC, 69-72.
Langmuir, E. et al. 1978. Ethiopia: The Christian Art of an African Nation. Salem, Massachusetts: The Peabody Museum of Salem.
Muhlethaler, B. and Thissen, J. 1993. Smalt. In Roy, A. (ed.), Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2. Washington, D.C.: National Gallery of Art, 113-130.
Piechocinski, M.N. 1989. The Iconography of Ethiopia: A Review of the Styles, Themes, techniques, and Influences in an Historical Perspective. The Sacred Art Journal 10 (3), 95-112.
Plesters, J. 1993. Ultramarine Blue, Natural and Artificial. In Roy, A. (ed.), Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2. Washington, D.C.: National Gallery of Art, 37‚65.
Scholz, P.O. 1992. Orbis Aethiopicus. Albstadt, Germany: Karl Schuler Publishing.
Weihs, F. 1973. Some technical details concerning Ethiopian icons. In Raunig, W. (ed.), Religious Art of Ethiopia. Stuttgart, Germany: Institut fur Auslandsbeziehungen, 299-305.
Wion, Anais. 2001. Personal communication with the author concerning the following article. Autochthony and Foreign Influences in Ethiopian Art: Portugese-Ethiopian Contacts and their Repercussions. Fifth International Conference on the History of Ethiopian Art. London, England: Arrabida.
Wolde, S. 1986. The Preservation and Conservation of Art Works in Present-Day Ethiopia. Proceedings of the First International Conference on Ethiopian Art. London, England: Royal Asiatic Society, 131-135.