Stool
Dogon peoples, Mali
Late 19th to early 20th century
Wood, pigment
National Museum of African Art, gift of Walt Disney World Co., a subsidiary of The Walt Disney Company, 2005-6-40
Cosmic models. Dogon traditions describe the cosmos as two disks forming the sky and earth connected by a tree. The supporting figures represent the founding ancestors in their descent from sky to earth. The zigzag patterns suggest the path of their descent and flowing water and refer to the symbol of Lébé, the first human and priest who was transformed into a serpent after his death. The disk on top serves as an altar surface for libations.
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Female figure
Dogon peoples, Mali
19th to early 20th century
Wood, encrustation
National Museum of African Art, gift of Walt Disney World Co., a subsidiary of The Walt Disney Company, 2005-6-41
Supporting the cosmos. In this masterful sculpture, the Dogon cosmos rests assuredly upon the supporting female figure, whose head is rendered as the dual disks of sacred sky and secular earth connected by 11 nommo primordial beings. Her projecting lip labret, well-balanced proportions, and prominent breasts and abdomen convey Dogon ideas about of the feminine ideal and emphasize the powerful life-giving and nurturing capacities of women.
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Female figure
Dogon peoples, Mali
Late 19th to early 20th century
Wood
National Museum of African Art, gift of Merton Simpson and museum purchase with funds provided by Joyce Marie Sims, and by the Delta Memorial Endowment Fund, Inc., of the Milwaukee Alumnae Chapter of Delta Sigma Theta Sorority, Inc., 97-6-2
Ancestral pathways from sky to earth. The upper portion of Dogon stools suggests the sky and the powerful domain from which the founding ancestors descended. Close inspection of this female figure reveals she does not actually sit upon the stool below her, reflecting the belief that caryatid stools represent the sky and, thus, cannot seat anyone.
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