Opens February 3, 2016
Nigerian artist Emeka Ogboh brings his internationally recognized sound art to the Smithsonian National Museum of African Art in the new work Market Symphony.
A site-specific commission by the museum, Market Symphony draws on the commercial cries and urban ambiance of Balogun, a sprawling open-air market in Lagos, Africa’s largest and most populated city. Ogboh’s “soundscape” lets visitors experience the distinctive sounds of this vibrant Nigerian metropolis and the traders who drive its daily economy, transporting us from the hush of the gallery to a commercial hive approximately 5,407 miles away.
September 16, 2015 – September 11, 2016
African artists are experimenting with the genre of artists’ books, while international artists are exploring African themes in theirs. Artists’ Books and Africa is the first exhibition to focus on African artists books from the Smithsonian Libraries’ Warren M. Robbins Library and the National Museum of African Art.
Artists’ books resist definition. Let’s just say an artist’s book is a book made by an artist that the artist calls an artist’s book!
Artists’ books build on the traditional codex of sequentially bound pages. These visual and tactile artworks play with the codex format in fanciful ways, pushing the boundaries with sheer unexpectedness.
September 17, 2014 – July 31, 2016
Chief S.O. Alonge: Photographer to the Royal Court of Benin, Nigeria opened Sept. 17. This major exhibition showcases the photographs of Chief Solomon Osagie Alonge (1911–1994), one of Nigeria’s premiere photographers and the first official photographer to the royal court of Benin. Alonge’s historic photographs document the rituals, pageantry, and regalia of the court for more than half a century and provide rare insight into the early history and practice of studio photography in West Africa.
A towering and visually striking sculpture of Haitian leader Toussaint Louverture by contemporary Senegalese artist Ousmane Sow is the centerpiece of an exhibition of important acquisitions of the past decade at the Smithsonian’s National Museum of African Art. African Mosaic: Selections from the Permanent Collection showcases museum purchases and gifts and provides a glimpse into the collecting opportunities and decisions that exist for art museums.
African Mosaic: 50th Anniversary room
In 1963, during the height of the civil rights movement, retired U.S. Foreign Service officer Warren M. Robbins (1923–2008) established the Center for Cross Cultural Understanding to “show the rich creative heritage of Africa, and to underscore the implications of this heritage in America’s quest for interracial understanding.” The following year, Robbins expanded his vision and opened the Museum of African Art. Originally housed in a Capitol Hill town house once owned by the great intellectual, abolitionist, former slave, and statesman, Frederick Douglass, the museum became part of the Smithsonian Institution in 1979 by an act of Congress and was renamed the National Museum of African. Over the course of its five decades, the museum has become home to more than 12,000 works of art that speak to both the talent and skill of diverse African artists and communities, and the unique history of this institution and the individuals who have helped to shape it.
Donated to the museum in 2005, the Walt Disney–Tishman Collection is known for its unique and rare works of traditional African art from throughout sub-Saharan Africa. The collection has been instrumental in defining the field of African art history in the United States and abroad.
The Connecting the Gems of the Indian Ocean: From Oman to East Africa project is proud to present Sailors and Daughters: Early Photography and the Indian Ocean World, the Museum’s first-ever online exhibit made possible by a gift from the Sultan Qaboos Cultural Center. Sailors and Daughters reveals the expansive maritime societies of Zanzibar, the east African coast, and Persian Gulf. From the 1840’s, cameras traced the international migrations of traders, sailors, sons, and daughters through Indian Ocean ports, continuing trade that dates back over five millennia. For instance, a highlight of the exhibition brings together early images by German photographer Hermann Burkhardt of Oman in 1904, which resemble photographs captured in Stone Town. East African cities flourished as hubs of both land and sea trade routes, which extended to the central African interior, the Middle East, Indian Ocean islands, western India and the Far East.